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dc.contributorInternational Workshop on Higher Education (5th : 2015 : Vic)
dc.contributorUniversitat de Vic - Universitat Central de Catalunya. Grup de Recerca Konekto
dc.contributor.authorGifreu Castells, Arnau
dc.date.accessioned2015-07-09T09:53:33Z
dc.date.available2015-07-09T09:53:33Z
dc.date.created2015
dc.date.issued2015
dc.identifier.urihttp://hdl.handle.net/10854/4091
dc.description.abstractWith the aim of preserving artistic heritage, in the past museums have removed paintings and furniture from the places they were created for. Over the decades the curators of these places have begun to request that these artistic works be returned, conscious of the significance that many of these works now have. Some institutions and museums have responded to these requests by providing copies of the original works. Traditionally these copies were handmade but now digital resources are used, such as audiovisual technology. The project Taüll1123(Lleida, Spain) is an example of the use of these new tools for the benefit of the artistic heritage and its visitors.ca_ES
dc.formatapplication/pdf
dc.format.extent1 p.ca_ES
dc.language.isoengca_ES
dc.rightsAquest document està subjecte a aquesta llicència Creative Commonsca_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/ca_ES
dc.subject.otherPatrimoni culturalca_ES
dc.subject.otherMuseusca_ES
dc.subject.otherObjectes d'artca_ES
dc.titleReconstruction and activation of the artistic heritage thanks to audiovisual technology. Experience of Taüll 1123ca_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectca_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca_ES


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